Posts Tagged ‘Chuck Espinoza’
I get it. I finally see what all the fuss is about. I got the film back from my first shoot and I love the quality of the Mamiya files. I say files because despite me shooting film I’m paying for the lab to develop and provide large Hi Res scans. The scans have a beautiful soft quality. Because of the softness, skin looks milky and soft; so much so that skin looks good without retouching.
The following images were shot during a shoot with Claire Dellamar. Since it was my first time out with the Mamiya I used the 5D to get me to a place where I was confident that I had a shot worthy of film. When it’s all said and done each shot on the Mamiya costs me ~$3.50. In the grand scheme a couple bucks isn’t much money but at $35 a roll the figures start to grow pretty quickly. Each roll of 120mm film on;y gives me ten shots.
With Claire on the stairs I knew I had something special. The light was great, Claire looked great and I had found a rhythm and knew it was worth shooting film. The downfall is that because of my inexperience with the Mamiya coupled with the manual features of the camera my rhythm came to a screeching halt. I have to stop, take a meter reading, take out the dark slide, bend over and look down instead of at Claire, focus manually, cock the shutter, compose the shot, double check focus and then take the shot. That’s a lot of steps for one shot. In that same amount of time I could have taken a handful of shots with my 5D.
I’m feel like I’m cheating by using the 5D. When I look at all ten shots I feel that the roll was a success. Had I gone out with a roll of film and only had ten opportunities to get great shots I wonder if the proof sheet would have looked so great. (my feeling is no). Then again had I started shooting medium format years ago I would be burning through $10/pack polaroid instead of the 120 film. Digital has provided me with so many opportunities to learn and make incredible photos. In the eleven years I have been shooting on a DSLR I’ve shot hundreds of thousands of frames. In addition to shooting that much I’ve also sat in front of a computer and reviewed each and every image and leaned from my experience. If I were paying $35 for each roll of film I wouldn’t be the photographer I am today.
I’m enjoying the Mamiya. It’s giving me a fresh outlook on photography and it’s motivating to create.
*Processing and scanning by Richard Photo Lab.
The first three shots were taken in the studio before we left for the location. I wanted to try using the Mamiya with my strobes and for the first shot the flash didn’t fire. Boom, I just threw $3.50 in the trash.
These images show the huge difference in quality when you zoom in.
It’s been about ten years since I’ve shot film. The last time was during a surf trip to Costa Rica where I used an underwater 35mm camera. I have to admit I was anxious. I wanted to see the difference between my 5D Mark III files and the Mamiya. Since I’d never used the Mamiya I wasn’t sure what I would see as a result. Up to this point I had burned through a pack of polaroid film with horrible results. I was afraid the film would look the same.
My first outings with the camera were not productive. I only shot one frame on two different occasions which were forced and didn’t turn out well. When I started encountering the issues with the polaroid back I began to wonder if the camera had issues so I made an effort to shoot through the roll and have it processed to make sure the camera worked.
When I got the email that the film was ready and the scans were available to download I couldn’t resist accessing the ftp via my iPhone. I was pleasantly surprised to see great exposures and solid results. I love the tones and the creamy, rich feeling of the images. I’m still not sure if this is the result of the camera or shooting a roll of film that expired in 2006 (I got a bunch of unused film when I bought the camera).
Even though it’s typically hard to get them to sit still I managed to rope my kids into sitting for eight frames. The following were shot on Ilford optima 400 using my Mamiya RZ67.
I recently purchased a Mamiya RZ67, a five pound, 30 year old camera that shoots a 6×7 negative on 120 film. A few weeks ago I had my first venture out with the camera and it was an entirely different experience. And that new experience is why I bought an overly heavy, 30 year old camera that shoots film.
I booked a shoot with one of my favorite models knowing she could bring what I needed. The experience was completely foreign. Besides having a waste level view finder with the image reversed ,the big catch is that each roll of 120 film only has ten exposures. I had to make them count. I bought the Mamiya to change the pace of my photography. I wanted to slow down and my wish was granted. Going from shooting hundreds of frames to 10 exposures is an entirely different speed.
I have to be honest; I also brought my DSLR to the shoot and used it as my main camera. I still shot hundreds of frames but when I felt like I was on to something special, be it a location or light or a mood I’d pull out the Mamiya. Despite knowing that the shoot was a success I’m anxiously awaiting word that the film has been processed to find out if the Mamiya was as successful. The following is a photo I made with my 5D and one of the reason’s I called Claire to be my first model using the Mamiya.
I started shooting behind the scenes video during shoots (while the model was in hair and makeup) to give me something to do. On most occasions a model will spend 60-90 minutes in the chair which gives me a lot of free time. The more I shoot and edit this footage, the more I learn. I learn by doing. I’d make a video and get to edit and realize it would have been better if…. Next time I made sure that “if” was taken care of. On this particular occasion it meant getting some more action direct to the camera as opposed to finishing the video with stills from the shoot.
This was shot back in June with Jordan Colton and Stacey Ellis. stacey has recently started a new venture. Be sure to check her out at Ellis Salon
The broadway play The Color Purple is heading to London and Attitude Magazine needed help with portraits for their article featuring producer and songwriter Stephen Bray. In addition to his early work and collaborations with Madonna, Stephen helped create the music for the play.
As with any editorial portrait I never know what I am walking into. Will there be light, interesting settings, room to work? Lucky for us Stephen’s home and studio had all of the above. After introductions I asked if I could look around the house for places to shoot. We knew going in that the studio would be one option, but I was immediately drawn to Stephen’s wall-display of records and knew his front porch would be a great option for a simple portrait.
I had Deney Tuazon assist me with the shoot. Having an assistant around for these types of shoots is a huge help. In addition to help with the gear and set up I find having someone stand in while I test my lighting set-ups invaluable. For all three looks we set-up and tested the lights while Stephen got ready. In the end the magazine went with the studio and indoor portrait for use in the story.
When I’ve got a model in hair and makeup for 60-90 minutes there’s only so much that I can occupy my time with. Lately I have taken advantage of the time and shot behind the scenes video. The only downfall is that when hair and makeup are finished and I pick up a camera to start shooting stills, the video suffers. The behind the scenes video covers the first of four different looks we shot.
Stacey Ellis was in for hair and makeup. She wanted to start with a finger wave of sorts. Since Adriana’s hair was going to have a very polished look we dressed her up in a little H&M tube dress to give it a bit more of a fashion edge.
The following photos show the progression for the rest of the shoot. We got a bit more dramatic and fashion oriented. Loosened things up a bit and then went up with the hair and back to traditional beauty portraits. To see more of Stacey’s work check out our previous work together or on her website: TheBigBangsTheory.com